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A
versatile pianist, Slawomir Dobrzanski frequently performs a soloist and chamber
musician Europe, South America, China, and throughout the United States.
As a soloist, he performed with such orchestras as the National Philharmonic in
Warsaw, Poland, the “Leopoldinum” Chamber Orchestra.
“Connecticut Virtuosi” Chamber Orchestra, “Amadeus”
Orchestra, Lincoln Symphony Orchestra, and the Frederic Chopin Academy of Music
Symphony Orchestra. He participated in the “Potomac River Piano
Festival”, Mozart Festival in Poznan, Poland, Chopin Festival in Antonin,
Poland, ‘Warsaw Autumn” Contemporary Music Festival, Festival of
Polish Pianists in Slupsk, Poland, Chopin Festival of Hawaii, Chopin &
Friends Festival in New York City, “Chopiniana” Festival in Buenos
Aires, Argentina, Darmstadt Festival of New Music in Darmstadt, Germany,
“Music Gettysburg!” Festival in Gettysburg, El Paso Chopin Music
Festival, American Liszt Society National Festival, in Lincoln, Nebraska, and
Chopin Festival in Miami, FL.
He
is a graduate of the Chopin Academy of Music in Warsaw, Poland and the
University of Connecticut, where he received the Doctor of Musical Arts degree
of in 2001. His major teachers include Regina Smendzianka, Andrzej Dutkiewicz,
Kajetan Mochtak, Jack Winerock, Zelma Bodzin and Neal Larrabee. He also
participated in summer schools in Switzerland and Poland, where he studied piano
performance with Malcolm Frager, Mieczyslaw Horszowski and Victor Merzhanov.
Dobrzanski
has recorded solo and chamber music by Witold Lutoslawski, Karol Szymanowski,
Frederic Chopin, Stefan Kisielewski, Artur Malawski (complete piano solo music),
Feliks Rybicki, Carl Tausig, and Johannes Brahms for Polish Radio and Television
in Warsaw, Poland. He is also an author of the first English language biography
of the acclaimed 19th century pianist and composer Maria Agata
Wolowska-Szymanowska, published in 2006 by the Polish Music Center at the
University of Southern California in Los Angeles.
Slawomir
Dobrzanski is also active as a teacher. He was a member of music faculties at
Concordia College in Moorhead, Minnesota and the University of Rhode Island.
Currently he teaches piano and piano literature at Kansas State University,
where he also serves as the Chair of Keyboard Studies.
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